Based on meditations of GAUTAMA SIDDHARTA, also called Sakyamuni (wise man of the Sakya clan) and later the Buddha (Enlightened one). Philosophical doctrine and code of conduct. Based on the three jewels, Buddha himself, dharma, Buddha's teachings and prescribed conduct, and sangha the community.
Buddha was born in Lumbini, Nepal around 544 BC. Son of raja (title for rulers and wealthy landlords) who sought reason for human misery. Left his family and experimented and traveled; found enlightenment through meditation at Bodh Gaya.Dharma is the doctrine of four truths discovered through meditation.
- Existence is unhappiness.
- Everything in life brings suffering, birth, responding to needs and death. Origin of suffering is in needs, wants and desires of men and being attached to material values (illusions of the senses).
- Unhappiness is caused by selfish cravings or passions.
- Selfish cravings can be eliminated by renunciation desires and following the eight-fold path:
1. Right views, understanding and vision
2. Right purpose, aspiration and intention
3. Right speech
4. Right vocation and honest livelihood
5. Right conduct and action
6. Right effort and dedication
7. Right alertness and mindfulness
8. Right concentration and meditation.
Sangha is community of Buddhists. Used to mean monastic community but concept broadened. Showing the path to enlightenment.
About 100 years after Buddha's death, communities disagreed and split over ways to achieve enlightenment. Traditional school of Theravada Buddhists follows Buddha's original teachings. Mahayana school accepts some changes, various ways to enlightenment (became Zen).
Scripts appeared also introducing changes. Deification of Buddha, and separation between mortal Buddha like Siddharta who will reappear, and transcendental ones which are only understood through meditation (Dhyani Buddhas). While enlightenment reached through individual effort, idea spread that meditation Buddhas give merit to those who worship them. Bodhisattvas are humans who reached enlightenment but instead of joining nirvana chose to help others reach enlightenment.
Movement from with the Mahayana school appeared in first century AD in fringe areas of India. Hindus and Buddhists came into contact with animist religions and integrated beliefs and practices. Yoga, physical exercises to control body functions, mantras, repetitive utterances, bijas, magic syllables, use of designs and objects such as mandala and dorje. Transformed into Lamaism which penetrated also into Nepal. Purpose was to shorten the road to enlightenment with such practices.
Prayer Flags and Prayer Wheels take prayers to the sky, to the divinities. Idea that movement creates power. Prayer wheels rotated clockwise to send mantra to the divinities. Usually brass cylinder with pre-Sanskrit script, ranja, writing. The wheel contains parchment like paper upon which the Tibetan incantation OM MANI PADME HUM (image top) is repeatedly printed. Some rough translations of this mantra are
- Oh, the jewel (mani) concealed in the lotus (padma) ah.
- One specific interpretation of this incantation is that of a prayer the Boddhisattva Padmapani who controls reincarnation
Oh, Padmapani, give me the jewel in the lotus, which is the blessing on non-rebirth or attainment of Nirvana through the acceptance of the Buddhist doctrine.
- A more general interpretation is
Oh, may the jewel remain in the lotus, meaning may Buddha's teachings remain pure in our minds and souls.
Vajra or Dorje looks like two crowns with bases attached by a metal ball. Each crown has four outer spokes and one inner spoke to represent the meditation Buddhas, united at the top to convey that they are but one. Means "thunderbolt" symbolic attribute of Hindu god Indra who is the divine power of natural forces, and the "diamond", the substance that is translucent and unbreakable. The Dorje is primarily a symbol of power but is also a representation of the male.
Ghanta, the bell is bronze and topped with crown shaped handle. The bell symbolizes the female. In a metaphysical sense, male represents knowledge and female represents wisdom. Both important to rituals.
Statues and temples for Buddha or to Bodhisattvas.
Chaitya, a somewhat conical stone structure, shrines for gratitude or worship. Always show four statues representing each of the dhyana-Buddhas or meditation Buddhas.
Facing north, Buddha Amogasiddhi with right hand upward and palms outward to express fearlessness and blessing (associated with green).
Facing east, Buddha Akshobya, right hand outstretched with fingers touching earth calling Earth-goddess to witness that Buddha resisted temptations put forth by demon Mara who was trying to lure him away from his meditations. Also thought of as calling to witness Buddha's deserving supreme enlightenment. (blue)
Facing south, Buddha Ratnasambhawa with right hand palm outward to express compassion. yellow
Facing west, Buddha Amithaba, two hands folded, resting on lap in meditation. red.
Some chaityas or scrolls show a fifth central figure, the Buddha Vairocana who is above or in the middle of the previously mentioned four. Hands folded in front of chest he is perfect sovereignty as "turning the wheel of the Buddhist doctrine." white.
Another common Buddhist statue is that of the Tara, either white or green Tara. Were the two wives of Srong Tsam Gampo, King of Tibet that they converted to their faith, Buddhism. Deified.
Bodhisattvas honored often are Padmapani, holds a lotus flower and is master or reincarnations. Manjushri is honored as bearer of wisdom by Buddhists and Hindus. Holds book of knowledge in left hand and a sword to strike ignorance with right.
A historical look demonstrates that artistic expression reflects the religious and ethnic diversity within the valley. Nepalese art became prominent in the 13th century through the work of Balbahu, also known as Arniko, an architect for the king of Tibet and possibly the Emperor of China. Nepalese art is recognized for its candour, simplicity and harmony balanced with intricacy and decoration. The Malla dynasty promoted all forms of artistic expression from the 14th to the 19th centuries. Tibetan forms of expression influenced art in the valley beginning in the 17th century. Tantric and Buddhist themes introduced greater differentiation between Nepalese and Indian art.
Posted in: Culture of Nepal
0 comments:
Post a Comment